Awake are one the best new British bands I have heard in
a while. Formerly known as Humanity the band underwent a
line-up change and saw a refinement of their sound which
dictated the change of band name to Awake. Possessing a
sound that is heavy with a dark atmosphere yet brimming with
catchy vocal melodies the future looks bright. The band
have just released their debut album "Illumination" on Lion
Music.
Interview undertaken By Simon Shedwell, vocals and Richard
Hall, Guitars

Many
thanks for agreeing to this interview. It’s good
to finally be able to interview a decent new British band
in Awake! You have just released their debut album
‘Illumination’ but I believe the band have been around
for a few years under a different guise. Can you
give our readers a brief rundown of the band history and
what led to the change of name?
Richard: That’s correct. The band started in back in Sept
2000 under the name HUMANITY. We all met at college in
Cambridge
where we were studying music. At the time we were a six
piece with two guitarists, and we wanted to make the whole
Metallica S&M sound. This then moved into a more progressive
direction. We gradually got more and more success in our
hometown and around the country, we signed our first
record deal with Killin Time Records and then moved onto
the Carbon 13 label where we released our debut
album ‘When Silence Calls’.
However despite the album being very well received, Carbon
13 went into liquidation. After that we decided to go it alone
and make our own album, which is when we later got involved
with Tom from Evergrey. The change of name came after we
recorded the album. We had parted ways with our other
guitarist Steve Wallace, and wanted this album to be a new
start for us, so the name change to AWAKE was all part of
that.
‘Illumination’ seems to walk the line
between straight metal with a few progressive elements and
darker metal waters as peddled by the likes of Evergrey. How
would you describe the music on ‘Illumination’ for readers
that have yet to hear the band?
Simon: This
album is a mix of progressive metal with elements of heavy
riffs and some catchy sections along the way. It has its own
style, it’s difficult to put it in any box as it has many
different moods, with both heavy and slow songs alongside each
other.
What struck
me about the album was that, here is a British band, playing a
form of music that generally isn’t widely played by UK bands and it’s very refreshing to hear. Where
does the band draw their influences from and how do Awake
generally write songs e.g. band rehearsal/or individually?
Richard: In the beginning our influences were Metallica,
Dream Theater, Paradise Lost, but now we bring our own
personal musical tastes to the song writing – it can vary
depending what we’re into at the time! We like to write songs
as a band, one person may bring in a riff or chord progression
and we all jam it out and go with what feels right. I like
the way we write because it’s not just one person’s opinion,
and so you get the best from everybody.
You
guys seem to prefer to work around a vocal melody as opposed
to a riff leading the musical direction of a song which
gives the album a very strong song feel as opposed to
a barrage of instrumental pieces pasted together with
vocal slapped over the top. Is the song all important
for Awake?
Simon: Its strange, we’ve been told this before but as
you can see from the previous question we do start with
a riff and go from there and the vocals come last. However
the song IS all important to us so once we have the music
sorted we then start working on the lyrics and if they
don’t work together, instead of changing the lyrics, we
change the music to enhance the vocals.
Have any of
the songs changed much from their original seeds to what we
hear on the album today?
Richard: Yeah, it’s funny you ask - Disbelief and Crime of
Passion were originally one track! When Tom (Evergrey) heard
it he totally cut it in two and we made two brand new songs.
It was great to work that way and it certainly opened our eyes
to a better way of writing. Other than that, it was mainly
vocal melodies that were tweaked and made better.
The
keyboards play a more atmospheric role than many bands that
feature them, how do you view the use of keyboards within the
bands sound?
Richard: When it comes to the keyboards, we never wanted to
go down the prog keyboard solo path - for one thing Craig
hates keyboard solos! - so we use them more as an addition to
the sound, which gives the album that great big sound that it
has. On tracks like Illumination however, we used them in an
more electronic way rather than trying to make them sound like
strings or orchestra parts. That is the great thing about
keys, you can do pretty much anything with them, and we like
to see how else we can use them. It’s something we’ll push
further in the future I think.
Getting
back to the recording of the album how were the tracks
on ‘Illumination’ recorded? What was the average
number of takes? Were there any whole band live performances
or was it recorded individually?
Simon: The tracks on the album were recorded over a period
of two months with Tom and Arnold. They would alternate
using their musical strengths, Arnold being a drummer
concentrated on the drum and bass as Tom worked on guitars,
keyboards and vocals. There were no whole band performances
it was done individually to achieve the best results from
all of us. As for the number of takes, it generally went
well although we had our moments of course! But once we
got into the swing of things, we were lucky it ran pretty
smoothly, and so much of that was down to the professionalism
of the studio we were working with.
The band has
signed to Lion Music who have a good reputation for
discovering new talent around the globe. How did you hook up
with the label?
Simon: We have Keith at Killin Time Management to thank for
this. He has done so much work for us behind the scenes - he
got us heard by many labels including Lion and they came to us
with the best deal.
I
see you have a couple of live UK dates set up with the
likelihood of more being added, what can the public expect
from Awake in the live arena?
Richard: A lot of energy and five guys really enjoying being
on stage! We don’t like to come across too serious when
we play live. I think if you stand up there looking like
your house has just burnt down the audience doesn’t feel
as much part of the show as they could. We’ll be playing
as much of the new album as possible and some older Humanity
tracks as well, so I hope people will enjoy it.
You have a
video for ‘Disbelief’ on your myspace profile, why was this
track chosen for the debut video?
Simon: We chose this track because I think it is one of the
catchiest songs on the album, its commercial, and we wanted to
reach as many people as possible with this track. It’s a
powerful, energised song and we thought it would be the
perfect way to introduce ourselves on to the music scene.
What else
lies in store for Awake in 2007?
Simon: World Domination and an Aston Martin for me!,(just
kidding!). We hope with the support of the fans that we can
do more live work and more videos and tours with a couple of
singles released along the way. Essentially, we want to create
a profile for ourselves and we want to be given opportunities
to show people what we are all about. I hope 2007 makes me
work really, really hard!
Richard: Touring as much as possible, promoting the album
and hopefully widening our fan base as much as this album will
allow. We’ve also started writing the next album so we should
be busy. After that I may buy Arsenal FC and make sure we win
the Premiership and the Champions League next season - but
only if I get the time!
Many
thanks for your time.
Thank you for this opportunity.

Links
Official
Awake website
Official
Awake myspace profile