Lion Music have seen fit to offer a special
edition of the classic album "Crimes Of Virtuosity"
from James Byrd's Atlantis Rising. The album was originally
released back in 1998 on the Mascot label (JVC Victor in Japan),
presumably Byrd's retained the rights to the original master
tapes and so offered it to his current label Lion Music and
also threw in all new artwork and packaging plus 2 bonus tracks
not previously available on the original release - namely
"Shot Down In Flames" and "Bolero No.46 Mvt
1".
Stylistically "C.O.V" saw Byrd
pay tribute to his influences through a collection of original
songs which all bear the distinctive Byrd sound yet show glimpses
of the classic rock music of the 1970's. Those expecting
an orchestrated release ala Byrd's Flying Beyond The 9 or
Anthem may well be a little surprised to hear a more straightforward
rock sound with just some odd touches of keyboard to round
out the sound. Of all Byrd's band albums Crimes Of Virtuosity
is arguably his most guitar intensive, however, Byrd's skill
at arranging and creating engaging music never allow the guitar
to overshadow the song. Crimes Of Virtuosity is home
to some of the finest guitar work committed to analogue tape
- yes analogue - COV was recorded pre digital and has a
superb warmth to the sound, it may not be as super clear as
Anthem but it is no less poorer for it. Listening to the
albums with headphones on is a wonderful experience to hear
all the warmth on the guitar and the drums of Chase Culp.
Opener Prelude In Sea
is a short intro that segues into the blisering
Metatron. This track is
one of my all time favourite Byrd compositions and home to an
almost Rainbow (Rising era) type delivery, the fast paced
track gives Byrd plenty of scope to showcase his formidible
fretboard skills yet show an equally deft touch in
composition. Kendal Torry belts out the lyrics with
great power (coming across like a mix of Bruce Dickinson and
Ronnie Dio), I defy anyone not to get excited when they hear
this track.
A heavy
cover of the Andrew Lloyd Webber/Tim Rice classic
Heaven On Their Minds (from
Jesus Christ Superstar) is an excellent fit for Byrd's skills.
Home to some Blackmore inspired lead work the tracks finest
moment comes when the band are grooving on the theme - listen
to Chase Culp's excellent drum work here - a classic cover.
We then get the first of our
bonus tracks with the biting Shot Down In Flames.
Arguably the most intense Atlantis Rising composition to date
we have some scolding lyrics and blistering lead work from
Byrd which follow up an excellent start which sees Byrd play
on the Star Spangled Banner theme briefly - A worthy
addition to the Byrd catalogue.
The intensity calms down for the delicate
ballad In My Darkest Hour, another corker of a track with a
good mix of acoustic and electric guitar work, Torry's vocals
here are superb. The emotion again is undeniable and
this is as good a starting place as any for newcomers to
start.
Hendrix type chordal flurries
open The Hunted Heretic.
Again some beautiful guitar histrionics weave between the
verses. The lyrics centre on someone commenting on life from
the grave ‘But now that I’m dead - I can speak my mind, The
blind see the dead - but they don’t know our kind’. Some more
great wah solo work blends perfectly with Kendall’s soaring
voice. James’ solos here remind me of the sonic tapestries Uli
Jon Roth laced throughout his ‘Electric Sun’ albums.
Jane
is up next and its the first instrumental of the album, home
to a nice mix of acoustic and electric lead work the track is
full of exquisite fretwork with beautiful melodies and
phrasing.
Get Free
is another slice of Hendrix inspired rock, the track does
remind me a little of the direction Byrd took on the Son Of
Man album but this time with vocals. The lyrics are equally as
deep centring on religion and the seven deadly sins.
Storm King
is another highlight with a vintage Deep Purple feel thanks to
its bluesy meets classical direction. Kendal Torry's
vocals run the range of expression and which merge well with
Byrd's inspired guitar lines which showcase a great jazzy
feel.
Next up in Bolero No.46
Mvt.1, perhaps better known in
the neo-classical rumour mill as Byrd's Bolero. This is the
second bonus track on the album and is a movement from a
guitar concerto Byrd was working on but ran out of funding for
during the COV sessions.
Essentially you have a slice of stunning classical music with
the electric guitar as the prime soloist - sound familiar?
Well this actually predates Malmsteen's Concerto by a few
years. Those that have heard Avianti Suite from Flying
Beyond The 9 will have some idea of what to expect, but as the
name suggests Bolero
serves up a more Mediterranean vibe, the playing and
composition are both flawless making this a more than worthy
addition to the album.
Goodbye My Love
opens with Byrd's perfect vibrato over some Pink Floyd-ish
keyboard strains before changing direction into a heavy
rocker. Clocking in at over 7 minutes the track gets
plenty of time to tell its tale musically and lyrically and
after a few spins really hits home as another highlight.
The frantic Going Home
closes the album with full metal glory, lyrically and vocally
the track also delivers the goods whilst Byrd's solo is as
good as you hoped it would be with Hames really letting fly.
A great way to end great album.
Crimes Of Virtuosity
was a very strong album when it
was originally released and I am pleased to report that 8
years on it sounds as good as ever and lyrically even more
relevant. The two bonus tracks and new artwork (done by
Byrd btw) make this is an essential purchase even if the album
is already owned. COV
is quite different in places to Byrd's work both and pre and
post COV but that
unmistakeable Byrd trademark is there on every track in
spades, the album is very varied and really none of the tracks
sounds like a 2nd hand Malmsteen as some less then enlightened
critics saw fit to pin Byrd down as earlier in his career.
Fans of classic rock will find a lot to
enjoy here as will the guitar enthusiast.
Overall Crimes Of
Virtuosity is a must have
addition for any rock/metal fans collection.